Proceedings of the COST-G6 Conference on Digital Audio Effects

Table of Contents Home Table of Contents Author Index Contents A word about the COST G6 action Welcome to DAFx DAFx-01 Conference Committees Session 1 - Thursday Separation Of Transient Information In Musical Audio Using Multiresolution Analysis Techniques Duxbury C., Davies M., Sandler M. Real-Time Additive Synthesis Of Sound By Taking Advantage Of Psychoacoustics Lagrange M., Marchand S. A-Dafx: Adaptive Digital Audio Effects Verfaille V., Arfib D.     Session 2 - Thursday Compositional Use Of Digital Audio Effects Bernardini N., Rudi J. Low-Cost Geometry-Based Acoustic Rendering Sarti A., Tubaro S. Computer Synthesis Of Bird Songs And Calls Kahrs M., Avanzini F.     Session 3 - Thursday A Time-Variant Reverberation Algorithm For Reverberation Enhancement Systems Lokki T., Hiipakka J. Optimizing Digital Musical Effect Implementation For Harvard DSP Architecture Smekal Z., Schimmel J., Krkavec P. Musical Mosaicing Zils A., Pachet F. Toward A New Model For Sound Control Bresin R., Friberg A., Dahl S.     Session 4 - Thursday Morphing Instrument Body Models Penttinen H., Karjalainen M., Harma A. Automating The Design Of Sound Synthesis Techniques Using Evolutionary Methods Garcia R.A. Modeling Collision Sounds: Non-Linear Contact Force Avanzini F., Rocchesso D.     Session 1 - Friday Sound Source Separation: Preprocessing For Hearing Aids And Structured Audio Coding Viste H., Evangelista G. Audio Content Transmission Amatriain X., Herrera P. Discrete Implementation Of The First Order System Cascade As The Basis For A Melodic Segmentation Model Serman M.     Session 2 - Friday LIFT: Likelihood-Frequency-Time Analysis For Partial Tracking And Automatic Transcription Of Music Verfaille V. Duhamel P. Charbit M. Separation Of Speech Signal From Complex Auditory Scenes Ottaviani L., Rocchesso D. EPS Models Of Am-Fm Vocoder Output For New Sounds Generations Timoney J., Lysaght T.     Session 3 - Friday Magnitude-Complementary Filters For Dynamic Equalization Fontana F., Karjalainen M. TAPIIR, A Software Multitap Delay de Boer M. Time-Varying Filter In Non-Uniform Block Convolution M�ller-Tomfelde C. Sound Morphing With Gaussian Mixture Models Boccardi F., Drioli C.     Session 4 - Friday Voice source analysis for pitch-scale modification of speech signals Jiang Y., Murphy P. Multiresolution Sinusoidal/Stochastic Model For Voiced-Sounds Polotti P., Evangelista G. Influence Of Frequency Distribution On Intensity Fluctuations Of Noise Hanna P., Desainte-Catherine M. Scalable Spectral Reflections In Conic Sections Murphy D., Marentakis G., Andersen T.H., Jensen K. Phase Vocoder Applications In Grm Tools Environment Favreau E.   Session 1 - Saturday Extending Digital Waveguides To Include Material Modelling Aird M., Laird J. TONETABLE: A Multi-User, Mixed-Media, Interactive Installation Bowers, J. Real Time Comparison Of Audio Restoration Methods Based On Short Time Spectral Attenuation Canazza S., De Poli G., Mian G.A., Scarpa A. Further Investigations On 3D Sound Fields Using Distance Coding Sontacchi A., H�ldrich R.   Session 2 - Saturday Post-Processing Of 2-Channel Stereo Studio Recordings Of Classical Music With Room Simulation - A Psychoacoustical Experiment Melka A., Syrov� V., Moravec O. Recognition Of Ellipsoids From Acoustic Cues Fontana F., Ottaviani L., Rath M., Rocchesso D. Gesturally-Controlled Digital Audio Effects Wanderley M.M., Depalle P.   Posters An Efficient Pitch-Tracking Algorithm Using A Combination Of Fourier Transforms Marchand S. Modeling And Sonifying Pen Strokes On Surfaces M�ller-Tomfelde C., M�nch T. Expressive Controllers For Bowed String Physical Models Serafin S., Burtner M., Nichols C., O'Modhrain S. Spectrum Interpolation Synthesis For The Compression Of Musical Signals Malot A.K., Rao P., Gadre V.M. Digital Synthesis By Plug-In Method In Java Media Framework Environment Schimmel J., Fitz R. Is The Player More Influenced By The Auditory Than The Tactile Feedback From The Instrument? Dahl S., Bresin R. Digital Waveguide Mesh Modelling Of Room Acoustics: Surround-Sound, Boundaries And Plugin Implementation Murphy D.T., Newton C.J.C, Howard D.M. A System For Recognition Of Hummed Tunes Br�ndsted T., Augustensen S., Fisker B., Hansen C., Klitgaard J., Nielsen L.W., Rasmussen T. An Adaptive Technique For Modeling Audio Signals Kauppinen I., Roth K. Classification Of Music Signals In The Visual Domain Deshpande H., Singh R., Nam U. Quantitative Characterisation Of Perceptually Relevant Artifacts Of Synthetic Reverberation Using The Earwig Distribution Furlong D., O'Donovan J. A Graphical Modular Environment For MPEG-4 Sa Instruments Prototyping Fayemendy G. Using XML for Score Representation Cahill M. New Query-By-Humming Music Retrieval System Conception And Evaluation Based On A Query Nature Study Carre E M., Philippe P., Apelian C. Directivity Synthesis With A 3D Array Of Loudspeakers Application For Stage Performance Warusfel O., Misdariis N. Cue Point Processing: An Introduction Brazil E. Sound Processing With The Sndobj Library: An Overview Lazzarini V. Addendum Composing Musical Spaces By Means of Decorrelation of Audio Signals Vaggione H.     Home Table of Contents Author Index

 

 

 

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